Cranboyz Online

A place for the members of the Cranboyz to share stories about Comic Books, Conventions and Artwork!



Tuesday, May 5, 2015

Popa's 10 Favorite Avengers Covers

As AVENGERS mania reaches fever pitch I couldn't help but post a list of my favorite covers featuring Earth's Mightiest Heroes.  I read the Avengers on and off from the mid-200's until the end of Kurt Busiek's run (although I missed some time in the early 300's.)

Still, my list is basically the 10 covers I like the most, mostly picked by perusing a cover gallery and keeping the ones that got the biggest reaction from me.  Some is just a reaction to the cover, some is a reaction to the cover and the story inside.  It's tough to separate the two a lot.

Without further ado ...

10. AVENGERS 277

 photo avengers277_zpsw5s7p7np.jpg

9. AVENGERS 185

 photo 185-1 1_zpsiaazxcgg.jpg

8. AVENGERS 57

 photo 57-2_zps0jpkypxn.jpg

7. AVENGERS 274

 photo 374-1_zpswjfxscsh.jpg

6. AVENGERS 48

 photo 48-3_zps7yjx0buh.jpg

5. AVENGERS 107

 photo 107-1_zpslhgcxhkk.jpg

4. AVENGERS 187

 photo 187-2_zpsw5ffuicu.jpg

3. AVENGERS 19 (Volume 3)

 photo 19-1_zpsub6vnzqq.jpg

2. AVENGERS 23

 photo 23-4_zps7rr4xgqm.jpg

1. AVENGERS 276

 photo 276-16_zpspyolln09.jpg

Feel free to contribute your own lists :)

Wednesday, February 25, 2015

2014 CLASH of the TITANS!




The end of 2014 means the end of another Cranboyz Sketch Theme! In 2014 the Cranboyz collected sketches of "gods" and "monsters" under the theme CLASH Of The TITANS!
Let's take a look at what we got!



It doesn't get much scarier that Freddy Krueger! Popa got this great commission of Buffy versus Freddy from Matt Haley!
The Frankenstein Monster Came from Dave's collection by Javier Avila
Karen went reached for the gods with this Aztek by Javier Avila and Wonder Woman by Richard Pollard

Some Classic Marvel Monsters! Ultimo by Darryl Banks for Eric and MODOK by Wil Torres for Shane

Shane collected some X-Men style gods with Snowbird by Gene Gonzales and Magik as Darkchylde by Jeff Moy
Eric collected a Loki sketch by the Fraim Brothers and Andy completed his X-Men sketchbook with an Asgardian Wars inspired commission from Adam Withers and Comfort love


Daniel Govar brought the Demon Bear to life, hunting Dani Moonstar, for Shane



Shane added the fearsome Wildebeest to his Titans book by Dave Wachter
Karen picked up this powerful sketch of Orion by Greg Kirkpatrick

Spider-Man villains! Andy was able to boost Spidey's bad guy ranks with Man Wolf by Ron Salas, Swarm by Jeremy Haun and Venom by Mike Henderson


2014 marks the passing of a good friend and talented artist, Jeremy Dale. Karen was able to laugh about silly Kirby Monsters with Jeremy. Shane and Jeremy had a chance to bond over the zaniness of Mojo and his X-Babies. We are glad to have had the chance to know Jeremy and enjoy his huge personality and artistic skills. 



Autographed Memorabilia, when is personalization appropriate?

Alright Cranziens,

My first contribution to the blog, short and sweet, but something thats always been a question of mine is signed memorabilia.  We all know that collecting alone is an experience of its own but when a collector enters the realm of signed work, commissions, and especially signed books, where do we draw the line?

Owning a rare iconic 1st print of Hulk 181, Spiderman 129, No. 1 issue of... well... anything, or even new titles, we all know having the illustrator or writer sign them ads to its allure and value.  But as a collector where does one draw the line for personalization?  Do you simply go for resale value for the future, play it safe and stick to just the signature or do you have it personalized to you?  Now this question extends to single commissions, full art books crammed with various artists, toys... you name it!

Here are my thoughts:

Commissions:  I always feel when I get a commission done I want it personalized.  This is something that I requested for myself, want it hung in my house and its just something freaking sweet to show off.  There are a few commissions I've had done that weren't personalized that I wish I would have, or better yet, had me drawn in with the character!  Going forward I'll always have the artist make it out to me!

Comics:  This is a subject where I'm torn.  The books I want personalized are the ones that I feel I'll have forever and mean something to me.  There are those books out there that have captured my imagination, inspired me in one way or another, or have been a staple in my childhood and tying that memory with a personalization only reinforces that feeling.  I was lucky enough to get my Punisher No. 1 signed by Mike Zeck thanks to my friend Shane Simek, I requested it be personalized because The Circle of Blood is a series that reigniting my childhood comic passion again, its very significant in my collection and having my name on it seals the deal!

Now, that being said, I wouldn't have my rare books personalized.  Even having it signed is a tough one without authentication because we all know if it can't be verified it doesn't "count" but if given the chance, I'd have it signed... but not personalized.  We all know we're going to die and would like to pass these on whether its selling to another collector to enjoy or hand down to our kids.  Personalizing an iconic book would only mean something to me or my family and no one else, and who knows what it does to future value.

Toys/Memorabilia:  I'm not a big toy, prop, or action figure collector so I have no preference or basis on this subject matter.

Regrets:  As of right now none.... only that I need more money!  Well, I always regret not having the right book at the right time to get signed.  I've had some chances to get amazing signatures and never had the right books with me, but thats my own fault.  Piss poor planning...

My question to you...

SO when if ever do you personalize, where do you draw the line, and when are your rules bent for certain scenarios?

Have you ever regretting personalizing an item or not personalizing when you had the chance?

Post your preference and stories, what emotions were experienced at the time and have they changed years down the road?

Thats all I got for now, just a nice random blurp while sorting through this weeks new books :)

Travis  

Saturday, January 17, 2015

A historic day for the "Thinker"

Back in September of 1985 I was in Acme Click in North Canton and for some reason I was browsing the comic book rack when I noticed Iron Man #198.

Written by Denny O'Neil and Drawn by Sal Buscema. I picked it up and was hooked. Over the past 30 years I have worked at various speeds to fill in the gaps. For the past 8 to 10 years I was down to needing only 5 issues. Today I am glad to report that the final issue I needed arrived in the mail after I won it in an auction earlier this week. 

I now own all of the issues of Iron Man vol.1 including the annuals. I am very happy to have completed this 30 year journey. What an adventure it has been.

Tuesday, September 2, 2014

Popa's Horribly Long-Winded Dragon Con 2014 Report

I can only hope writing this is a touch less exhausting than Dragon Con was this year.  But it was worth EVERY BIT OF IT.

Here's the thing, I wasn't going to go to Dragon Con this year.  When I decided to go to NYC in May, I figured that would exhaust my fun funds for the rest of the year and that I'd have to miss Heroes Con in June and then Dragon Con.  Well, I missed Heroes but as spring turned into summer, I started to think I might be able to swing Dragon Con but I was kind of holding off to see who they'd have as guests and, honestly, wasn't sure I wanted to run the gauntlet that Dragon Con can be again.  It's a BIG show.  

Then they added Julie Benz, Darla from "Buffy" and "Angel" who's done all sorts of TV to the guest list.  I'd met Julie before (see previous Dragon Con posts) but, you know, it's not like I couldn't meet her again.  

Then they added Amy Acker.  She doesn't do a lot of cons.  She was Fred on 'Angel.'  SHE WAS IN "THE CABIN IN THE WOODS."  

I called my buddy Shane - "I think I can do Dragon Con."  Shane helps run an exhibit called The Armory and loves anyone who's insane enough to help out, so he supported my decision.  Besides, Shane and I always support one another's rash and often expensive ideas when it comes to fandom.  

Then they added Katie Cassidy, who most people know from the "Arrow" TV show but to me is the star of the "Black Christmas" remake and the good part of the "Nightmare On Elm Street" remake.  I'm a BIG fan.  I'd just missed a chance to miss her at Motor City Comicon.  I wasn't missing this one!

So I made my plans to go to Dragon Con again.  

Where to start ... well, at the beginning, which means, at The Vortex in Atlanta.  Once you get done reading this assuredly long but awesome recap I'm writing, bop over to The Vortex's website (http://www.thevortexbarandgrill.com/) and check the place out.  The food is insanely decadent and the place has a really loose and irreverent attitude.  In fact, the one picture I took there I'm pretty sure Facebook would delete on my behalf, but you can find it on Twitter, where pictures of giant fake cock statues are perfectly acceptable.

Shane, our friend Nick and I spend most of our time on Twitter talking about The Vortex's patented Nacho Tots - nachos with tater tots instead of chips.  There are times during the cold Ohio winter, that the late summer promise of Nacho Tots are all that get us through.  When we get to Atlanta for Dragon Con, we IMMEDIATELY to go to The Vortex and order Nacho Tots.  This year was no exception.  And they were heavenly.   We were also joined by the Cranboyz' namesake himself, The Cran!  

My sandwich was called the Zombie Apocalypse.  It was two burger patties, pulled pork, two over easy eggs and BBQ sauce open-faced on a bun.  I pretty much could have gotten back on the plane and gone home satisfied after eating that meal, but we did decide to stick it out for the rest of the con.

Wednesday and Thursday (and some of Friday) were spent setting up The Armory, an exhibit of weapons, from ancient spears to the most modern guns, that's been at Dragon Con the past five years now, run by Kevin Dockery.  Look, anyone who's set up a travelling exhibit knows set-up and tear down run the gamut of 'oh, this isn't so bad' to 'WHY DO YOU HATE ME SO MUCH, GOD' often in the same minute.  It's a lot of work and it can be frustrating, but everyone hung tough and we got it done without any major disasters or blow-ups.  Sure, people got cranky here and there but it passed and no one held onto it.  You have to blow off steam sometimes.  

Oh, and 'a member of the Armory staff' may have hit one of the sprinklers inside the parking garage causing a mini-flood.  I don't want to say who it was, but for some reason we called the puddle 'Lake Cran.'  

Another part of our responsibilities is we have to work two shifts inside the exhibit, assisting patrons and making sure no one accidentally beheads themself on a spear.  Nick and I decided to work both our shifts on Friday so we could do the show the rest of the weekend.  A good idea -- but working two shifts is 10 hours in a row, and 10 hours in a row on the day where we were in the exhibit a couple hours early finishing set-up.  It was a long day, but it was fine.  The exhibit is fun.  We were aided and ebedded this year by a group called USA Knights, a group that does what they call 'MMA in armor.'  Basically they get together with huge groups of people from all over the world and do medieval battles.  "Like Medieval Times," you might ask.  No.  These are SHOOT FIGHTS.  They're REAL.  No, they don't stab one another and there are a couple places they can't hit one another (back of the knees and the throat basically) but the punches are not pulled and the goal is to KO the opponents.  They use historically accurate weapons, armor and strategy.  They ran some of the panel discussions in The Armory, too, which were great.  They know their stuff and they got a great reaction from The Armory crowd.  They were also really great people to have in the room for the weekend.

But after the exhibit closed on Friday, I was free to wander Dragon Con until Sunday night, when we did tear down.  

Friday night, me, Shane, Nick and our friend Kaz walked the hotel lobbies - which at Dragon Con is something of an Olympic sport.  There are 60,000 or so attendees at Dragon Con and over half of them cosplay for the weekend.  Friday night we just went around and took pictures of people, most of which are posted here.  There are a LOT of amazing costumes and the great thing about Dragon Con is you can cosplay as ANYTHING and people love it.  It's not just super heroes or fantasy or sci fi, there are people dressed as characters from kids' shows, from books, from any movie imaginable, Disney characters - there were 3 guys dressed like Kurt Russell characters, one as Snake Plisskin, one as Jack Burton and one as CAPTAIN RON.  They were having a good time.  The only downside to the night was that when you cram a big chunk of 60,000 people into a couple hotel lobbies, it gets a little tight and a lot hot.  After a couple hours, we packed it in.

Saturday my priority was to meet Amy Acker, who, as I mentioned doesn't do a lot of shows and who I figured would have a huge line.  Katie Cassidy wasn't showing up until Sunday so I knew I could get her the next day.  

I walked into the autograph room when it opened at 10 but Acker wasn't going to get to the show until noon, she'd been filming something the night before and was flying straight to the con.  So I started waiting in line with a couple other people, who were nice as can be.  Two hours in a con line -- that's NOTHING.

While I was waiting for Acker, Julie Benz came to her table which was right next door.  I met her before but when I met her last time she didn't have any pictures from Buffy or Angel, just headshots.  This time she had a great picture from Angel so I got that signed and we chatted for a bit about nothing of huge consequence.

As time went on, though, I was really on about five feet from Benz's table and could hear what her fans were saying to her, which was no big deal, until one guy went up to her and, I am not making this up, asked her why her first marriage ended.  She was, obviously, a little surprised but handled it fine.  When the guy was gone I looked over and asked her if he asked what I thought he asked and she said he had.  A few minutes later her line thinned out and we started talking about all the dumb things people say to her, not necessarily malicious things, but things that one probably shouldn't say to someone.  For example, Julie has dark hair now, which she dyed for a movie.  She said people constantly walk up to her and just say 'oh, I hate your hair like that.'  She said she's going to write a book called 'Things You Shouldn't Say To Celebrities At Conventions.'  As time went on and more people talked to her, whenever they said something on the list, Julie would look at me and we'd smile.  Look, Julie's like the most attractive woman ON EARTH, the fact that we were sharing a moment made this old dude pretty happy.  

Acker did show up, although it was later than 12 but, come on, we're on con time, and we had a nice chat about making "Cabin in the Woods" and also about "Hedwig and the Angry Inch," which she'd Tweeted about seeing after the first preview.  As most people know, if I can talk to an actor about musicals, I jump at the chance.  We also talked a bit about the revival coming up of "You Can't Take It With You" that "Cabin" alum Fran Kranz is part of.  She was nice as could be and seemed surprised at her rather lengthy line, which stayed long all weekend.

After I met Acker, I briefly met Emma Caufield, Anya from "Buffy."  I'm trying to get as many pictures from Buffy/Angel people as I can as I wander through all these cons.  I also met J. August Richards who played Gunn on "Angel."  He's about as tall as me, which I didn't realize.  He was very cool, too.  

Then I went to the front of the room and met Ralph Macchio and C. Thomas Howell.  I can't imagine I have to tell many of you who they are.  Macchio had the bigger line but they were signing "Outsiders" pictures together, although Macchio obviously has his huge Karate Kid following.  Martin Kove who played the mean-spirited head of the Cobra Kai dojo in "Karate Kid" was there too and it was hysterical how many people were cosplaying in full Cobra Kai gear, and he loved every second of it.  I posed for a picture with Macchio and Howell and both guys were great, especially Macchio who is just one of those guys who's easy to talk to and tried to engage everyone as much as he could.  At one point someone said to him that she worried they were weird for liking "The Outsiders" as much as they did and Macchio told her "you're not weird, this is why we do this stuff, it's great that 30 years later people still want to talk about it."  That was a class thing to say.  

Ok, Saturday night was big because I was cosplaying for the first time, as Dr. Horrible - from the Whdeon-penned sing-a-long blog that starred Neil Patrick Harris, Nathan Fillion and Felicia Day.  Shane dressed as Grifter from Image Comics "Wild CATS," old school Grifter too, right out of the pages when Jim Lee was on the book.  I've done theater, so I wasn't so nervous about being in a costume, but I was a little worried that no one would notice or care.  It's not like I'm a gorgeous girl or a buff guy in a cool 'Avengers'-themed super hero outfit, I'm a 41 year-old guy who could lose a couple pounds in a somewhat obscure costume.  I got dressed and we headed down the elevator and as soon as the doors opened and we stepped out, within a few seconds someone said 'good to see you Doctor.'  That made me feel a little better, then a few seconds later a girl ran up to me and asked for a picture, which was also cool.  We basically did the same thing we did Friday night, walk the hotels and look at people in costume, stopping for anyone who asked for pictures.  It's not like I was besieged with photo requests, but a decent amount of people did take pictures, there were a lot of high fives and 'Hey, Doctor' or just people yelling 'Dr. Horrible!" and pointing and smiling when I walked past.  I even got into a scrap with a corporate tool, Captain Hammer, at one point.  People loved Shane's Grifter costume too and we did set out at one point to get a picture of him putting down a Deadpool.  There are a million people dressed as Deadpool at Dragon Con and we're old enough to know how lame Deadpool is.  The guy we found who Shane 'killed' was a great sport and got into the picture as much as we did.  At first Shane just asked for a picture with him and the guy said sure, then Shane said 'the bad news is I want to be shooting you in the head in the picture' and the guy just said 'oh sure' and got on his knees in a really funny pose, begging Grifter not to shoot.  Shane was a bit upset that only guys asked for his picture and only girls asked for mine.  Story of our lives :)

The whole cosplay experience, I gotta say, was FUN.  Everyone supports everyone and enjoys the costumes and the party and the comraderie.  The only drawback was the smothering heat of too many bodies in too small a space and wearing a full body suit and rubber gloves didn't exactly help.  My goggles kept sliding down my sweaty forehead.  Honestly, it was too crowded in one lobby, which made the other lobbies kind of dead.  We'd thought we might stay out all night but we were wiped out by midnight.  As a first foray into cosplay, it was the best, though.  Just sweaty.  

Sunday the priority was finally meeting Katie Cassidy.  I got inside the room at 10 but they weren't even letting people line up for her until 10:45, so I promptly walked across the aisle and waited there (if you see the 'restraining order' picture Shane took, that's when it was taken.)  When we finally got the line started I got into Cranboy Con Mode and started directing traffic and organizing the line.  It's what we do.  Katie got to the show a bit after 11 and, like Acker, had been shooting scenes (in VANCOUVER) the night before and had come to the con.  She was very sweet but did seem pretty worn out.  We talked a bit about the "Black Christmas" remake that not a lot of people like and she was really happy when I told her I was looking forward to a new indie horror movie she has coming out called "Scribbler."  

Shane wanted to meet actor Stephen Collins and get his "Tales From the Gold Monkey" book signed so I went over while he did that.  As he was waiting I said I was going to go bug Benz again.  I walked over when Julie didn't have a crowd and asked if she'd gotten anymore weird questions and she laughed and told a friend sitting next to her that I was the guy who was next to her the day before and heard all the crazy questions she got asked.  Yes, this means Julie Benz told someone a story about me and, yes, I plan to have that put on my gravestone.  From there though we had a pretty interesting talk about actresses in Hollywood, about how they're perceived, the pressures of looking young but, at the same time, being criticized for getting work done to keep looking young and things of that nature.  She certainly made me realize that telling someone 'you look good for your age' is kind of a dick move (seriously, don't say that.)  I'm under no delusions that if I ever see Julie again that she'll have any clue who I am but, you know, as a fan, it was pretty cool to have two memorable moments with her.  

The next thing I had to do Sunday was get my professional photos taken with Acker, Benz and Cassidy.  I had to go find where the pictures were taken and when I got down there I realized it was quiet and that there was room to sit on the floor, with a water cooler right there.  In other words, for a comicon it was Nirvana, and I sat down for about two hours and uploaded pictures, drank water and talked to people who were also hanging around waiting for their photo ops (including one lady who looked and sounded just like my late Aunt Margaret, which was bittersweet, she was kind as can be but it made me miss my aunt, which was a random thing to have happen at a con.)  

Late Sunday is also when Adam Baldwin of "Angel," "Firefly" and currently on "The Last Ship" popped by The Armory and was very generous with his time, playing around with the crew.  He likes to play with big guns and has been at The Armory two years in a row now.  Lou Ferrigno came down this year 3 days in a row and Peter Weller also came by (but I missed those guys.)  

Sunday night we started tear down of The Armory before calling it a night.  The USA Knights stuck around to help with tear down and came back the next morning for as long as they could to help us breakdown the walls and stage lumber for load out.  This was incredibly cool of them, way beyond the call of duty.  The plan seems to be for The Armory the the Knights to keep working together in the future, hopefully that's the case.  They're some really stand-up people.  (Check out their website http://usaknights.org/ if you get a minute.)  

There's always one night at Dragon Con where The Armory staff gets back to the room and just gets silly.  That was Sunday night.  We sat on our beds and laughed uproariously about the weirdest and most random stuff.  At one point we all googled ourselves to try and find the most ridiculous story about someone with our name, which I won (there's a John Popa who is a former pro wrestler who went to jail for mislabeling fish.)  

Monday was all tear down.  As tear downs go, it was smooth.  We got everything torn apart (keep in mind we build The Armory from the walls up) and loaded pretty quickly, then got everything over to the storage facility, where we loaded everything from the truck into storage.  Oh, there was one drawback for this part - it was 97 degrees.  In Atlanta.  In Summer.  We had a case of water bottles but everyone was still sweating out.  It was just miserable but everyone pushed through.  Cran went into his Buddha pose.  We got it done, though, and, by dinner time, The Armory was torn down and put away and we gave ourselves a round of applause, then headed off for the now annual post-Armory BBQ at our friend Lamar's house, all the food prepared by another friend Fred's wife.

The BBQ was great and we even had alligator (because why not eat dragon after Dragon Con?)  We all cooled down, talked a bit, laughed, Kevin Dockery, the head of The Armory thanked everyone and we gave ourselves another round of applause.  Hey, we worked our tails off, we deserved some applause!  

It's tough to put into words (no matter how many I write) but in terms of interacting with people - fans and celebrities alike - this was the best con I've ever been to.  No matter who I was stuck with in line, there weren't any dicks, everyone was nice, everyone was just talking about whatever and I bumped into a lot of line partners later in the show and chatted some more.  And the celebrities I talked to were also all great, no divas, no one thinking they were too good for the room.  Believe me, Amy Acker and Katie Cassidy were TIRED, they easily could have cancelled, but they made the show and they made you happy you took the time to come talk to them for a couple minutes.

The sad part is I probably left out a ton of stories.  Granted, a lot of them involve Nick's toxic ass gas.  Still, a lot happens at Dragon Con.  You should totally go next year.  Just don't plan on sleeping much.  But you'll laugh.  Believe me, you'll laugh.  At least if you're with us :)  

Oh, and at the end of it all, I got home with exactly one dollar in my pocket.

Wednesday, June 11, 2014

Popa's 10 Favorite Uncanny X-Men Covers

Remember when comic book covers were awesome and told stories instead of just being random posed shots of characters?  I do, too.  Mostly because I'm as old as you.  Probably older.

Anyway, how this should work is pretty obvious - my 10 favorite covers from the run of "Uncanny X-Men."  There's no consideration here to historical worth or anything like that, these are just the 10 that make me go "ooooh, that's a cool cover."  While the list goes back long before I started reading the book, it doesn't go long after when I stopped reading.  This is for a couple reasons, 1 - favorite always implies a personal attachment, so books I never looked at are a bit tougher to add to a list like this.  And reason 2 goes back to my initial statement about covers now being less awesome than they were years ago.

10. - Uncanny X-Men #251

I stopped reading comics for awhile, right after Mutant Massacre but it was this cover, seen at a drugstore one random day, that started to get me back into wanting to read comics again.

 photo 251-1_zps0c32e9b6.jpg

9. Uncanny X-Men #173

This follow-up story to the great Chris Claremont/Frank Miller "Wolverine" story is pretty super, with top notch art from Paul Smith.  This cover tells us a lot about Wolverine and Rogue, who's in charge and who isn't.  Rogue was just joining the team and would take a long time to become the iconic character she is now.

 photo 173-3_zpsc957db0b.jpg

8. Uncanny X-Men #185

Or maybe Rogue didn't become a heroine, after all!  I love the image here and John Romita Jr. was on fire at this point on the title.  Rogue looks menacing (even though she's really not in the story) and Storm looks tough but beaten.

 photo 185-1_zpsbb7aa45c.jpg

7. Uncanny X-Men #141

Ok, there's nothing wrong with an iconic, historic cover.  If I need to tell you about this cover, you shoudn't be reading this post!

 photo 141-1_zps7126a285.jpg

6. Uncanny X-Men #209

I don't know what to tell you if you don't want to read this comic!!  And NIMROD.

 photo 209-1_zps196df99d.jpg

5. X-Men #46

Ok, our one jump into the way, way back machine.  I love covers that imply the heroes are beaten, as heroes should always be.

 photo 46-1_zps893a2a34.jpg

4. Uncanny X-Men #168

Another dramatic character shot.  I guess I don't love noisy covers with a million things going on.  This cover says "Kitty's Last Stand" to me and Paul Smith always drew a great Kitty, even if she wouldn't be given the correct costume until a later date (but that's a blog post for another time.)

 photo 168-20_zps42073303.jpg

3. Uncanny X-Men #207

See?  Another dramatic character shot.  As a kid especially, this cover was the greatest thing in the history of mankind.  This is when Wolverine was awesome.  Some of you don't know Wolverine used to be awesome.  Now you think Deadpool is awesome.  You're wrong.

 photo 207-18_zpsc8182305.jpg

2. Uncanny X-Men #145

DOOM TRIUMPHANT.

 photo 145_zpseea16c4f.jpg

1. Uncanny X-Men #101

Yes, this one's iconic too.  It's also the first 'expensive' back issue I ever bought (I think I paid $30 in 1990 for it.)  But this shot has everything - danger, intrigue, Phoenix's cool green costume.  And Dave Cockrum.

 photo 101-1_zps32397313.jpg

Honorable mentions:

These covers were on various drafts but didn't make the final cut.  But on another day, they might have.

 photo 112-1_zps9071a3f2.jpg

 photo 247-1_zps44da86c1.jpg

 photo 57-12_zps1d86d4a0.jpg

 photo 104-1_zpse4495f43.jpg

Thursday, May 15, 2014

Andy's Top Ten Spider-man Artists

I’ve had a soft spot for ol’ Web Head since before I even started reading comics, back when I would tune in to Spider-man and His Amazing Friends every Saturday morning.  The first time I went to the comic store, I was mesmerized by the cover of Spider-man #1 on the stands and I was hooked!  So when Shane challenged me to come up with a Top 10 list of my favorite Spidey artists, I knew it would be difficult, but a hell of a lot of fun!  So, here we go:







10) Steve Ditko is responsible for the design of an iconic costume that has withstood the test of time. No matter how many changes the costume has undergone over the years, Peter Parker always seems to find his way back to Ditko’s classic look. Ditko is also responsible for the design of many classic Spidey villains. No matter how cheesy they can be, I always enjoy flipping back through early issues of Amazing Spider-man just to see the energy present in those early stories.



9) Erik Larsen was penciling the Amazing Spider-man when I first started buying comics.  I’ve always enjoyed how wonderfully dynamic and acrobatic Larsen’s Spidey was.  Also, Web-Head has the best Rogue’s Gallery there is, and I think Larsen drew them as the bad-asses they were always supposed to be.




 
8) Todd McFarlane’s adjective-less Spider-man book was the first Spidey comic I ever bought, and it did not disappoint!  My favorite part of reading any McFarlane Spidey book was the sheer amount of detail he managed to put into each and every page.  From the intricate backgrounds right down to the webbing on the costum, I could get lost on those panels as I read.



7) Pat Olliffe was responsible for most of the fantastic Untold Tales of Spider-man series.  Pat really channeled the classic look of the Ditko/Romita era of Spidey, to tell stories that were interwoven amongst Peter Parker’s earliest adventures.  The art was clean, bright and fun and Pat’s style lent itself well to a classic superhero book.






6) Ron Frenz is a classic Marvel artist, and his work on Amazing Spider-man is simply terrific.  He make the Wall Crawler jump off the page and his work is a favorite to revisit.  He’s also a hell of a lot of fun to talk to and get original artwork from at conventions!


5) John Romita, Jr.’s Spidey is just a fantastic rendition.  His father’s style is clearly an inspiration, but he draws Spidey like no other.  Some of his best work on Spidey has portrayed him as a dark, gritty, street-level hero, but still with a touch of classic superhero.  It’s a take that I think no-one else can quite capture the way he can. 



4) Mark Bagley had lengthy runs on two Spidey books that I enjoyed over my years of reading.  He had big shoes to fill on Amazing Spider-man after Erik Larsen’s departure, but I remember loving his art right away when he jumped in with the New Warriors.  Later, after not having read too many new Spidey comics for awhile, Bagley’s art drew me back with Ultimate Spider-man, where he made his work on Amazing seem like practice.



3) Gil Kane is one of the two men responsible for molding Ditko’s Spidey into one of Marvel’s flagship characters.  Along with Romita, Sr., Kane helped define the look of Spidey and his cast of characters for years to come and when I get into a mood to read classic Spidey stories, Kane is one of the ones I turn to.



2) John Romita, Sr. took Ditko’s original design for Spidey and made it a classic!  During his tenure on Amazing Spider-man, he polished up the look of ol’ Web Head and transformed him into the superhero he is today.  His mark on the character and his supporting cast has remained constantly visible in the production of both comics and film, and he is one of the best artists to revist.




1) Mike Wieringo drew my favorite rendition of Spider-man.  His style seemed to incorporate elements from my favorite parts of comic books and animation, which really lends itself well to a Spidey book.  His work was always fun and lighthearted and was a perfect fit to tell the stories of Peter Parker.  I felt extremely fortunate to actually get a sketch of Spidey from him at the 2004 Heroes Convention.  I never grow tired of looking at that sketch, nor any of ‘Ringo’s Spider-man art.







Honorable Mention: Alex Ross
I couldn’t really post the final list without at least mentioning Alex Ross.  When I originally made the list, I left Ross off due to his style being more illustrative in nature, but his work on the fourth issue of Marvels is really some of my favorite Spidey art there is.  Here is another artist that can successfully channel the classic Spidey artists, while creating his own take on the character.  The photorealistic nature of his work makes it all the more interesting and gives me a reason to revisit that book often.